John Russell’s SQRRL
Review: The Wrong Biennale
Criticism is a feedback loop. Artists have long considered the internet as a context in which to exhibit their work, and in the...
On the front page: Shelley Jackson’s feminist hypertext autobiography
On Rhizome's front page this week is Shelley Jackson's my body - a Wunderkammer (1997), a semi-autobiographical hypertext narrative that combines text and...
The Block is the Successor to the Book: A publishing proposal
"We need a way of consistently and accurately naming every piece of human knowledge, in such a way that...
Announcing the Winner of the $10,000 Prix Net Art: Constant Dullaart
2015 Prix Net Art Winner Constant Dullaart. Photo by Ethan Hayes-Chute.
Rhizome and Shanghai-based Chronus Art Center and Beijing-based Tsinghua University...
The Download: sorry to dump on you like this.zip
To go beyond browsing, downloading must be considered.
Downloading is essential to almost any kind of engagement with the www, whether code is sent...
Bon Voyage, Killer Robot
Discussions about the dangers of autonomous robots oftentimes invoke the Terminator, the iconic menace from the 1984 film, as...
Making the Speculative Case for Music on the Blockchain
Conceived by Lars Holdhus and commissioned by Rhizome, Futures Along the Blockchain is a web project gathering artists, musicians, and writers to...
Welcome to Our Home Page
Today marks the debut of the new and Rhizome brand, both of which place particular emphasis on the expressive potential of the...
Artist Profile: Christine Sun Kim
The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network...
EITHER WE INSPIRE OR WE EXPIRE: New work by Liam Gillick and Nate Silver
EITHER WE INSPIRE OR WE EXPIRE (2015) by artist Liam Gillick and data journalist Nate Silver considers technological failure and...
Always-Already a Ghost: Laura Brothers featured on Net Art Hell
Laura Brothers, come and be real for us (Dec 25, 2007). Detail area of 803 x 840 digital image.
Artist Laura Brothers, whose work was...
9 billion paintings by Michael Manning
Artist Profile: Lou Cantor
The latest in a series of interviews with artists who have a significant body of work that makes use of or responds to network...
Sara Ludy’s abstractions probe the psychic charge of Photoshop
Sara Ludy, Acid Cloud (2015, digital video) embedded on
October 22 at the New Museum and Livestreamed: Blockchain Horizons
PWR, #1 (trustless), 0x9ab9f7a4b85412bfbe2f4f63b1c98808851c4f32, Tongersestraat 42a, Maastricht, NL, 9/10 2015. Photograph of Bitcoin mining rig. Courtesy of the artists.
Blockchain...
Organic Hardware at Fantastic Arcade
Paloma Dawkins and Cale Bradbury, Alea (customized arcade cabinet and moss controllers at Fantastic Arcade, 2015)
This past week, Fantastic Arcade,...
Mapping Landscape Paintings: Joe Hamilton’s ‘Indirect Flights’ on the front page
Joe Hamilton's Indirect Flights is on the front page of through Sunday, as part of the ongoing online digital painting exhibition...
